Portrait of 18C American Woman

1753 Jeremiah Theus 1716-1774 Elizabeth Prioleau Roupell High Mus

Pregnant Slave in 1712 New York City Slave Revolt

In the early 1700s, New York had one of the largest slave populations of any of England’s colonies. Nearly one out of every five New York residents was enslaved.  Slavery in New York differed from some of the Southern colonies because there were no large plantations in the crowded city. Many of the enslaved Africans were skilled workers, carpenters, stone masons, fishermen, & boat builders.  Enslaved women mostly worked indoors as domestic labor, whereas men spent most of their day outdoors bringing goods to & fro from the docks, & doing other skilled & unskilled jobs throughout the city.

In 1712, Manhattan's population was about 6,000 living in an area twenty blocks long by 10 blocks wide; over 15% of those inhabitants were enslaved Africans. Within this small area, slaves lived with their masters & worked along side white servants & other slaves.  These slaves lived & worked next to free & indentured whites, & some intermarried when they got their freedom.

The stage was set for an uprising. First, the city had a large population of black slaves -- the result of many years of trade with the West Indies. Secondly, communication & meeting among enslaved persons was relatively easy, since the New York City's inhabitants lived in a small area on the southern tip of Manhattan. Thirdly, living in such a densely populated area also meant that slaves worked in close proximity to free men.

No one knows for certain what caused the revolt that happened the night of April 6, 1712, but this much is known: More than 20 armed Africans, perhaps both men & women, set fire to a building. Perhaps after meeting in a tavern, blacks gathered in an orchard on Maiden Lane on the night of April 6, 1712. It was midnight. Armed with guns, hatchets, & swords, the men set fire to a building in the middle of town. The fire spread. While white colonists gathered to extinguish the blaze, the slaves attacked, then ran off. At least nine whites had been shot, stabbed, or beaten to death; another eight were wounded.

Militia units from Westchester & the fort in lower New York put down the insurrection. Seventy slaves & free blacks were jailed.  Forty-three slaves were tried in the Court of Quarter Sessions. Eighteen were acquitted & 25 convicted, resulting in 20 being hanged & three burned at the stake.

The details of this revolt are provided by Robert Hunter, who was the governor of New York & New Jersey from 1710 to 1719. In a letter to the Lords of Trade in London written three months after the insurrection, Gov. Hunter describes the slave revolt.

A Letter from Governor Robert Hunter (1664-1734), June 23, 1712: I must now give your Lordships an account of a bloody conspiracy of some of the slaves of this place, to destroy as many of the inhabitants as they could....when they had resolved to revenge themselves, for some hard usage they apprehended to have received from their masters (for I can find no other cause) they agreed to meet in the orchard of Mr. Crook in the middle of the town, some provided with fire arms, some with swords & others with knives & hatchets. This was the sixth day of April, the time of the meeting was about twelve or one clock in the night, when about three & twenty of them were got together. One...slave to one Vantilburgh set fire to [a shed] of his masters, & then repairing to his place where the rest were, they all sallyed out together with their arms & marched to the fire. By this time, the noise of the fire spreading through the town, the people began to flock to it. Upon the approach of several, the slaves fired & killed them. The noise of the guns gave the alarm, & some escaping, their shot soon published the cause of the fire, which was the reason that nine Christians were killed, & about five or six wounded. Upon the first notice, which was very against them, but the slaves made their retreat into the woods, by the favour of the night. Having ordered the day following, the militia of this town & the country of West Chester to drive [to] the Island, & by this means & strict searches in the town, we found all that put the design in execution, six of these having first laid violent hands upon themselves [committed suicide], the rest were forthwith brought to their tryal before ye Justices of this place...In that court were twenty seven condemned, whereof twenty one were executed, one being a woman with a child, her execution by than means suspended. Some were burnt, others hanged, one broke on the wheel, & one hung alive in chains in the town, so that there has been the most exemplary punishment inflicted that could be possibily thought of.
(E. B. Callaghan, ed. (1885) Documents relative to the Colonial History of the State of New York. Vol. V, p.341-345)

Governor Robert Hunter (1664-1734)

Within months of the revolt, the General Assembly passed a law allowing slave masters to punish slaves at their discretion & effectively made impossible the freeing of slaves.  White New Yorkers had been apprehensive before the revolt of April 6; now they were spurred into action. No longer could more than three black slaves meet. A master could punish his slaves as he saw fit (even for no reason at all), as long as the slave did not lose his or her life or limb. Any slave handling a firearm would receive twenty lashes. Anyone caught gambling would be whipped in public. Involvement in a conspiracy to kill would result in execution, as would a rape. There was even a law that discouraged masters from freeing a slave: The master could free a slave, but only after posting a bond of 200 [pounds]. This money would be paid to the freed slave if that slave couldn't support himself or herself.

Berlin, Ira & Harris, Leslie (2005), Slavery in New York, New York: New Press, ISBN 1-56584-997-3.
Horton, James & Horton, Lois (2005), Slavery and the Making of America, New York: Oxford University Press, ISBN 0-19-517903-X.
Katz, William Loren (1997), Black Legacy, A History of New York's African Americans, New York: Atheneum, ISBN 0-689-31913-4.

Portrait of 18C American Woman

1752-54 Jeremiah Theus 1716-1774 Mrs John Dart Met

Portrait of 18C American Woman

1749-52 John Wollaston 1733-1767 Portrait of a Woman Art Insti of Chicago

Portrait of 18C American Woman

Mrs. Elizabeth Boehler. Johann Valentin Haidt (1700-1780) Moravian Archives, Bethlehem, Pennsylvania.

Moravian women, whose chief duty was to their community & God, not to their family, husband, or self, worked jobs benefiting the larger community. They were freed from traditional familial duties.

The Moravians 1st came to British America during the colonial period. In 1735 they were part of General Oglethorpe’s philanthropic venture in Georgia. Their attempt to establish a community in Savannah did not succeed, but they did have a profound impact on the young John Wesley who had gone to Georgia during a personal spiritual crisis. Wesley was impressed that the Moravians remained calm during a storm that was panicking experienced sailors. He was amazed at people who did not fear death, & back in London he worshiped with Moravians writing that his “heart was strangely warmed.”

After the failure of the Georgia mission, the Moravians established a permanent presence in Pennsylvania in 1741, settling on the estate of evangalist George Whitefield. Moravian settlers purchased 500 acres to establish the settlement of Bethlehem in 1741. Soon they bought the 5,000 acres of the Barony of Nazareth from Whitefield’s manager, & the 2 communities of Bethlehem & Nazareth became closely linked in their agricultural & industrial economy.  Other settlement congregations were established in Pennsylvania, New Jersey & Maryland. They built the Pennsylvania communities of Bethlehem, Nazareth, Lititz, & Hope. They also established congregations in Philadelphia & on Staten Island in New York. All were considered frontier centers for the spread of the gospel, particularly in mission to the Native Americans. Bethlehem was the center of Moravian activity in colonial America.

Bishop Augustus Spangenberg led a party to survey a 100,000 acre tract of land in North Carolina, which came to be known as Wachau after an Austrian estate of Count Zinzendorf. The name, later anglicized to Wachovia, became the center of growth for the church in that region. Bethabara, Bethania & Salem (now Winston-Salem) were the 1st Moravian settlements in North Carolina. In 1857 the 2 American provinces, North & South, became largely independent & set about expansion. Bethlehem in Pennsylvania & Winston-Salem in North Carolina became the headquarters of the two provinces (North & South).

The facet of Moravian life that bound the community together like no other was their dedication to missionary work; the Moravians were the most active Protestant missionaries of the 18C, sending community members to the West Indies, South America, & as far as South Africa. By 1760, the Moravians had sent out 226 missionaries & baptized more than 3,000 converts, including American Natives. In North America the key undertaking for Moravian missionaries was to convert the Native Americans to Christianity. The Moravians viewed the natives as heathens in need of spiritual enlightenment & guidance.

One feature of Moravian community life was the Choir System. People
were separated into “choirs,” or groups, based on their age, gender, & marital status. It was believed that individuals of like age & gender were best prepared & able to encourage each other’s religious growth. Members of the same choir ate, worked, worshiped, slept in dormitories, & attended school together. This communal living arrangement was intended to strengthen the unity of the society as members had to rely on choir-mates for support rather than their siblings or parents. The names of the choirs reflected the sex, age & marital status of those in the choir, such as the “Older Boys’ Choir,” ages 12-19 or the “Single Sister’s Choir,” age 19 until marriage.

All work performed by the Moravians during the pre-Revolutionary War years operated under a system known as the “General Economy,” in which all goods or money produced was considered the property of the community, not the individual. Under this system there was no private wealth or housing, nor any privately owned businesses. Every member’s contribution was collectively pooled & in exchange, necessities such as food, shelter & clothing were provided.

Marie Minier, a Single Sister in the Bethlehem community, praised the General
Economy in 1750 stating that, “For 12 years now I have enjoyed the care [of the General Economy] & eaten from one bread & been clothed, all of which to this hour has been great and of importance to me. I . . . accept things the way the Brethren do things, for it is a wonder to me daily that He has maintained so large a community, & we cannot say that we have ever gone without.” For single women like Marie Minier, the General Economy system afforded them relative security & independence; single women who chose not to marry did not need to rely on a father or brother for financial support, nor worry about becoming a financial burden. In other parts of 18C British America women who did not marry usually would have been socially & economically excluded, dependent on their fathers or male family members.

Yet by the 1760s, the system of communal property began to wear on the younger generations of ambitious Moravians who saw that in other communities hard work was rewarded with personal financial gain. In 1762, the General Economy was abolished in favor of self-owned & operated small businesses & private family homes.

To learn about the lives of 18C Moravian women see:

Faull, Katharine. Moravian Women's Memoirs: Their Related Lives, 1750-1820. Syracuse: Syracuse University Press, 1997.

Smaby, Beverly Prior. "Female Piety Among 18th-Century Moravians." Pennsylvania History 64 (1997): 151-167.

Wachovia Historical Society, Winston-Salem, North Carolina & Old Salem, Inc., Winston-Salem, North Carolina 1750 Johann Valentine Haidt (1700-1780). Women portrayed as separate but sharing power at the Moravian Synod at Herrnhut.& "Forming the Single Sisters' Choir in Bethlehem." The Transactions of the Moravian Historical Society 28 (1994): 1-14

Sommer, Elisabeth W. Serving Two Masters: Moravian Brethren in Germany & North Carolina, 1727-1801. Lexington: The University Press of Kentucky, 2000.

Vogt, Peter. "A Voice for Themselves: Women as Participants in Congregational Discourse in the 18th-Century Moravian Movement." In Women Preachers and Prophets through Two Millennia of Christianity, edited by Beverly Mayne Kienzle and Pamela J. Walker, 227-247. Berkeley: University of California Press, 1998.

George Washington Seeks Greenhouse Advice From Magaret Carroll in Maryland

1790s Christian Gullager (1759-1826). George Washington (1732-1799).

One of the most intriguing greenhouse stories involves Virginian George Washington & Margaret Tilghman Carroll  of Maryland.

In her 1770 description of the gardens Charles Carroll the Barrister's home called Mount Clare in Baltimore, Maryland, visiting Virginia widow Mary Ambler mentioned, "there is a Green House with a good many Orange & Lemon Trees just ready to bear." Widow & mother Mary Ambler had traveled to Baltimore from Belvoir in Fauquier County, Virginia, with her 2 children to be innoculated against smallpox.

At Mount Clare, as in many 18th century households, the wife supervised the greenhouse activities, while the husband oversaw the design of the gardens and grounds. Margaret Tilghman Carroll (1743-1817) was renowned for her orange & lemon trees. After her husband Charles Carroll (1723-1783) died in 1783, she devoted much of her time to growing plants in her greenhouse.
1765 John Hesselius (1728-1778). Margaret Tilghman Carroll Mrs Charles Carroll the Barrister.

In addition to her greenhouse, Margaret Carroll also had a 39' by 24' brick structure at Mount Clare, which she called a Stove House, with an intricate hot air heating system for growing plants, such as pineapples, indoors yearound.

Her reputation & skill as a horticulturalist had impressed George Washington (1732-1799) who wrote a letter to her cousin Col. Tench Tilghman in August of 1784,  "I shall essay the finishing of my greenhouse this fall, but find that neither myself, nor any person about me is so well skilled in the internal constructions as to proceed without a probability at least of running into errors. Shall I for this reason, ask the favor of you to give me a short description of the Green-house at Mrs. Carrolls? I am persuaded, now that I planned mine on too contracted a scale. My house is (of Brick) 40 feet by 24, in the outer dimensions."

It is believed that Washington built his greenhouse copying Margaret Carrolls' building, which no longer exists. And in April the following spring Washington noted in his diary, "Planted and sowed in boxes placed in front of the Green House."

Greenhouse at Mount Vernon

In 1788, Lt. John Enys (1757-1818) stopped at Mount Vernon noting that, "The front by which we entered had a Gras plot before it with a road round it for Carriages planted on each side with a number of different kinds of Trees among the rest some Weeping Willows which seem to flourish very well. One the one side of this stands the Garden, green house &c." Enys had come to America during the Revolution and recorded his notes after he returned to England and retired from the British army.

Greenhouse at Mount Vernon

Early in 1789, Congregational clergyman & geographer Jedidiah Morse (1761-1826) was also impressed with Washinton's garden & described Mount Vernon in his American Geography, "the green-house, school-house, offices and servants halls, when seen from the land side, bears a resemblance to a rural village --especially as the lands in that side are laid out somewhat in the form of English gardens, in meadows and grass grounds, ornamented with little copcies, circular clumps and single trees."
Greenhouse at Mount Vernon

Wishing to make a present of some of her prized greenhouse specimens to George Washington, including one grafted tree that produced both lemons and oranges, on 29 October 1789, Margaret Carroll sent by boat 20 pots of lemon & orange trees plus 5 boxes of assorted other greenhouse plants to Washington at the harbor in Alexandria.

Apparently Margaret Carroll had spoken about the financial possibilities of erecting greenhouses & stovehouses to George Washington; because the gift of Mount Clare's mistress was in response to a letter that Washington had sent her from New York, on September 16th 1789.

"Madam,
A Person having been lately sent to me from Europe in the capacity of a Gardner, who professes a knowledge in the culture of rare plants and care of a Green-House, I am desirous to profit of the very obliging offer you were pleased some time ago to make me.

"In availing myself of your goodness I am far from desiring that it should induce any inconvenience to yourself—but, reconciling your disposition to oblige, with your convenience, I shall be happy to receive such aids as you can well spare, and as will not impair your collection.

"Trusting that this will be the rule of your bounty, I have requested General Williams to give you notice, when an opportunity offers to transport the trees or plants in the freshest state to Mount Vernon, and to pay any expence which may be incurred in fitting them for transportation, and to receive them from your Gardner for that purpose.

"I have the honor to be, most respectfully, Madam, Your obliged and obedient Servant,
G. Washington"
Charles Willson Peale (1741-1827). Margaret Tilghman (Mrs Charles Carroll the Barrister) This painting depicts Margaret Carroll standing next to the closed or lidded Lidded Campana Urn on a Classical Pedestal which stood on the grounds at Mount Clare in Baltimore.

Several years later, in 1792, French visitor Jacques Pierre Brissot de Warville (1754-1793) wrote, "I hastened to arrive at Mount Vernon...after having passed over two hills, you discover a country house of an elegant and majestic simplicity. It is preceded by grass-plats; on the one side of the avenue are the stables, on the other the green-house, and houses of a number of negro mechanics." Brissot was a vocal supporter of the 1789 French Revolution.

This flurry of activity around the greenhouses of Margaret Carroll and George Washington was not new in America. The possibilites of growing tender plants in greenhouses had fascinated Americans since the 1st half of the century in colonial America.

Artist John Hesselius (1728-1778) was one of the major American-born artists working in the Middle Colonies and the South in the third quarter of the 18C. The son of Gustavus Hesselius (1682-1755), a Swedish portrait painter who came to America in 1711.  His father was Gustavus Hesselius painted mostly in Maryland & Pennsylvania. John was probably born in Philadelphia. His earliest signed work is dated 1750.  It seems likely that Gustavus Hesselius was John Hesselius’s first instructor. John Hesselius also studied with Robert Feke & his early portraits are stylistically more similar to Feke’s. Hesselius latest signed work dates to 1777.

During his career, Hesselius traveled extensively in Virginia, Maryland, Delaware, Pennsylvania, & possibly in New Jersey. His work seems to have been confined to portraits. All known examples are in oil on canvas, & there is little reason to suspect that he deviated from this practice. He worked exclusively in the late English Baroque & English Rococo traditions of painting, & his style shows the influence of Robert Feke & John Wollaston more strongly than that of his father.

Hesselius married Mary Young Woodward, the widow of Henry Woodward, in 1763, & after that date his energies were divided between his art & the management of his plantation near Annapolis, Maryland. He was also active in the religious affairs of St. Anne’s Parish in Anne Arundel County, Maryland. His interests appear to have been many, & as an artist & landowner he associated with most of the leading citizens of the colony. Hesselius contributed to American painting, & he extended & modified the English tradition of painting in the Colonies.

Portrait of 18C American Woman

1752 John Wollaston 1733-1767 Mrs Philip Livingston pvt

Men & Women adopt the Greenhouse in Early America

The possibility of growing tender plants in greenhouses had fascinated early Americans at least since the 1st half of the 18C in colonial America. But the price of glass in colonial & early America remained high until nearly the middle of the 19C, making greenhouses available only to those with extra disposable income.

Mount Vernon's Greenhouse

As British America was being colonized in the 17th-century, English garden writers were focusing on greenshouses which needed glass to allow the sun to reach the growing plants. Glass was becoming more affordable & glass no longer needed to be hand-blown. In England, in 1664, diarist & gardener John Evelyn (1620-1706) advised, "Set your...Windows and Doors of the Green-houses and Conservatories open." And in his diary on 30 October 1683, he mentioned, "Greene houses for oranges and mirtles." Born in Surrey into a family that owned the monopoly on the manufacture of gunpowder in England, Evelyn was able to devote his life to intellectual pursuits. In addition to translating noted French gardening books, Evelyn was the author of Kalendarium Hortense. His Diary is full of references to gardens, & to his own famous garden at Sayes Court. In 1691, the London Gazette mentioned another "new Conservatory or Green-House" in a house-for-sale ad.

Detail John Evelyn (1620-1706) by Hendrick van der Borcht, 1641.

In early 18th century England, J. James' 1712 translation of Jean-Baptiste Alexandre Le Blond's (1679-1719) The Theory and Practice of Gardening; ; wherein is fully handled all that relates to fine gardening, commonly called pleasure gardens explained that, "Green-houses are large Piles of Building like Galleries...for preserving Orange-Trees, and other Plants...during the Winter." Le Blond was a French architect & garden designer who became the chief architect of Saint Petersburg in 1716, just 3 years before his death. He had derived his gardening expertise from André Le Nôtre (1613-1700), and he illustrated & helped write Dezallier d'Argenville's (1680-1765) seminal work on the principles of French formal garden design. In England, Phillip Miller had published a plan for a greenhouse in his 1754 Gardener's Dictionary, which was owned & read in the British American colonies.

Much like today, the 18th century colonial greenhouse was a glass-windowed structure of wood or brick or stone in which tender plants were reared & preserved. Revolutionaly iron & glass greenhouses would appear in the first half of the 19th-century allowing more light into the structures.

Virginian William Byrd II (1674-1768) painted by Hans Hysing 1724

Early in 18th-century Pennsylvania, botanist John Bartram (1699-1777) wrote to English botanist Peter Collinson (1674-1768), on July 18, 1740, about Colonel William Byrd's (1674-1744) grounds at Westover in Virginia. "Colonel Byrd is very prodigalle...new Gates, gravel Walks, hedges, and cedars finely twined and a little green house with two or three orange trees...he hath the finest seat in Virginia."

Twenty years later, John Bartram wrote to Peter Collinson in 1760, "I am going to build a green-house. Stone is got...to put some pretty flowering winter shrubs, and plants for winter's diversion, not to be crowded with orange trees."

Peter Collinson 1694-1768

John Bartram was much more than just a commentator on the homes of colonial gentry, but he certainly would have been intrigued by the possibilities of Byrd's early greenhouse. Born in Darby, Pensylvania, son a Quaker farmer, Bartram was the most important botanist in the colonies. His son William Bartram (1739-1823) helped him collect, replant, & ship his specimens. In 1728, John Bartram established a botanic garden at Kingsessing on the west bank of the Schuylkill, near Philadelphia, where he collected & grew native plants. His correspondence with Peter Collinson, led to the introduction of many American trees & plants into Europe.

Charles Willson Peale's 1808 William Bartram

Greenhouses in Europe filled with Bartram's Boxes of American plants. His plant specimens & seeds traveled across the Atlantic to the gardens & greenhouses of Philip Miller, Linnaeus, German botanist Dillenius (1687-1747), & Dutch botanist Gronovius (1686-1762); and he assisted Linnaeus' student Swedish Pehr Kalm (1716-1779) during his collecting trip to North America in 1748-1750. Although Bartram never visited Britain, in 1765, he was appointed Botanist to King George III. Linnaeus called him "the worlds greatest botanist." Bartram traveled from Lake Ontario in the north, to Florida in the south and the Ohio River in the west. His Diary of a Journey through the Carolinas, Georgia and Florida, a trip taken from July 1, 1765, to April 10, 1766, was published. His son William accompanied his father documenting plants, animals, birds, & native peoples of North & South Carolina, Georgia & Florida. William published Travels, writings with his own illustrations in 1791, which impacted the 19th century romantic movement as well as natural history.

Not far from Bartram's nursery just outside of Philadelphia, John Smith described the plantation owned by the family of William Penn at Springettesbury Manor in 1745, "On our way thither we stopped to view the proprietor's greeen-house, which at this season is an agreeable sight; the oranges, lemons and citrons were some green, some ripe, some in blossom." Springettesbury Manor had been named in honor of William Penn's first ie, Gulielma Maria Springett (1644–1694).

Ten years later, Daniel Fisher also described the Proprietor's greenhouse, "What to me surpassed every thing of the kind I had seen in America was a pretty bricked Green House, out of which was disposed very properly in the Pleasure Garden, a good many Orange, Lemon, and Citrous Trees, in great profusion loaded with abundance of Fruit and some of each sort seemingly ripe then."Bartram traveled South in the colonies through Charleston several times, where greenhouses were used to entice real estate buyers.

In the South Carolina Gazette, November 14, 1748, a house for sale advertisement noted, "TO BE SOLD...Dwelling-house...also a large Garden, with two neat Green Houses for sheltering exotic Fruit Trees, and Grape-Vines."

Exotic plants captured the fancy of colonials early in the century; and by the end of the 18th-century, formal botanical gardens dotted the Atlantic coast. These were both outdoor and indoor, public and private garden areas, where proud collectors displayed a variety of curious plants for purposes of science, education, status, and art.

By 1760, Rhode Islander Abraham Redwood Jr was writing to his farm manager, "I desire that you put up in Durt one dozen of Small orange Trees...four young figg trees and some Guavas roots, to put in my greenhouse...twenty two feet long, Twelve feet wide, and Twelve feet high." In 1743, Abraham Redwood purchased 140 acres farmland near Newport, Rhode Island, where he built a country estate that was considered one of the most beautiful botanical gardens in North America, which grew plants & trees imported from all over the world.

Abraham Redwood 1709-1788

Josiah Quincy (1744-1775), who kept a journal as he traveled South from Boston for his health in 1773, was also impressed with a greenhouse, when he visited Philadelphia on May 3, 1773, and noted, "Dined with the celebrated Pennsylvania Farmer, John Dickenson Esqr, at his country seat about two and one-half miles from town...his gardens, green-house, bathing-house, grotto, study, fish pond...vista, through which is distant prospect of Delaware River."  John Dickinson (1732-1808), who was actually an attorney trained at Middle Temple, had married Mary Norris, daughter of Isaac Norris, Speaker of the Pennsylvania Assembly, and moved to the Norris estate of Fairhill, near Germantown. There he wrote, under the pseudonym "A Farmer,"12 essays against the Stamp Acts.

1773 Charles Willson Peale (1741-1827). Mary Norris (Mrs. John Dickinson) with their daughter Sally.

In 1787, clergyman, merchant, & lawyer Manasseh Cutler (1742-1823), wrote of the greenhouse at Gray's Tavern, in Philadelphia. "(The Greenhouse) is a very large stone bulding, three stories in the front and two in the rear. The one-half of the house is divided lengthwise, and the front part is appropriated to a green-house, and has no chamber floors. It is finished in the completest manner for the purpose of arranging trees and plants in the most beautiful order. The windows are enormous. I believe some of them to be twenty feet in length, and proportionably wide...We then took a view of the contents of the green-house, beautifully arranged in the open air on the south of the garden. Here were most of the trees and fruits that grow in the hottest climates. Oranges, lemons, etc., in every stage from blossoms to ripe fruit; pine-apples in bloom, and those were fully ripe."

Visiting English agricultural writer Richard Parkinson (1748-1815) stopped at John O'Donnell's (1743-1805) estate named Canton near Baltimore, in 1798. Irishman John O'Donnell had grown wealthy by sending the first ship into China in 1785, for trade goods to sell in America. Parkinson wrote that O'Donnell had, "a very handsome garden in great order, a most beautiful greenhouse and hot house...a very magnificent place for that country."

1787 Charles Willson Peale (1741-1827). Sarah Chew Elliott (Mrs. John O'Donnell) in her garden in front of a curving wall with urns used as finials.

In 1793 Massachusetts, Boston merchant Joseph Barrell (1739-1804) was ordering plants & a gardener from Britain for his new Pleasant Hill greenhouse, "I want a person that understands green house plants...you will send the trees by the same opportunity the gardener comes that he may attend them on the passage."

John Singleton Copley (1738–1815) Joseph Barrell c 1767

Wishing for more land outside of Boston to try new gardening styles & modern farming techniques, Barrell purchased 211 acres of land across the Charles River in Charlestown, where he created a ferme ornée. Charles Bulfinch designed the house & grounds, one of his 1st commissions.

John Singleton Copley (1738–1815) Hannah Fitch (Mrs Joseph Barrell) c 1771

In Deborah Logan's journal, she mentioned that in 1799 Philadelphia,William Logan had a "Green house in town, as well as a good one (at Stenton). He had many rare and beautiful plants: indeed the large and fine orange and lemon trees which now ornament Pratt's greenhouses at Lemon Hill were originally of his raising."

William Logan (1717–1776) was the son of William Penn's secretary James Logan who became a Philadelphia Mayor & Supreme Court Justice. William inherited Stenton in 1751, and he used it as his country seat, while living in Philadelphia.

In the same year, English born seedsman and nursery owner William Booth of Baltimore advertised in the Federal Gazette and Baltimore Advertiser:" To Botanists, Gardeners and Florists, and to all other gentlemen, curious in ornamental, rare exotic or foreign plants and flowers, cultivated in the greenhouse, hot-house, or stove, and in the open ground. A large and numerous variety of such rarities is now offered for sale...After reserving a general and suitable stock, he had to spare a well assorted and great variety of those things comprising a beautiful collection, sufficient to decorate, furnish, and ornament a spacious or handsome greenhouse at once... The whole is a truly valuable collection such as is very rarely to be met with for sale on this side of the Atlantic -- indeed a moiety of them would comprise a very desirable and exclusive variety, consisting of many or most of the tropical fruits, and other rare and curious finely ornamental trees, scrubs and plants; with a numerous and abundant assortment of choice bulbous, tubrous, and fibrous rooted flowering and ornamental plants in mixtures... please apply to John Cummings, at the alms-house, Messrs. David and Cuthbert Landreth, gardeners and nursery-men... Now is as good time and proper season to build a green-house, and to remove plants."

Many of Booth's clients and contemporaries in the Chesapeake were becoming excited about collecting and displaying non-native varieties of plants. In his diary, silversmith, clockmaker, & gardener William Faris (1728-1804) noted in Annapolis that his neighbor Dr. Upton Scott (1722-1814) was, "fond of botany and has a number of rare plants and shrubs in his greenhouse and garden." The practical Faris used his cellar as his greenhouse.

Some gardeners & plant collectors were obsessed with showing off their unusual plant collections to visitors. In November of 1803, Manasseh Cutler (1722-1823) wrote to Mrs. Torrey about his visit to William Hamilton's (1745-1813) Woodlands, Philadelphia, Pennsylvania, "We then took a turn to the garden and greenhouses...ornamented with almost all the flowers and vegtables the earth affords...The greenhouses which occupy a large space of ground, I cannot pretend to describe. Every part was crowded with trees and plants, from the hot climates, and such as I had never seen...He assured us, there was not a rare plant in Europe, Asia, Africa, from China and the islands in the South Sea, of which he had any account, which he had not procured...When we turned to rare and superb plants, one of the gardeners would be called, and sent with a lantern to the green house to fetch me a specimen to compare with it. This was done perhaps twenty times."

Benjamin West (American-born painter, 1738–1820) William Hamilton (1745-1813) of Woodlands with His Neice

Authors Joseph Dennie & John Elihu Hall reported on the greenhouse at the Woodlands in their 1809 Portfolio II, "The front, including the hot-house on each side, measures one hundred and forty feet, and it contains nearly ten thousand plants, out of which number may be reckoned between five and six thousand of different species, procured at much trouble and expense, from many remote parts of the globe, from South America, the Cape of Good Hope, the Brazils, Botany Bay, Japan, the East and West Indies, &c. &c. This collection, for the beauty and rich variety of its exotics, surpasses any thing of the kind on this continent; and, among many other rare productions to be seen, are the bread-fruit tree, cinnamon, allspice, pepper; mangoes, different sorts, sago, coffee from Bengal, Arabia, and the West-Indies, tea, green and bohea, mahogany, magnolias, Japan rose, rose apples, eherimolia, one of the most esteemed fruits of Mexico, bamboo, Indian god tree, iron tree of China, ginger, olea fragrans, and several varieties of the sugar cane, five species of which are from Otaheite. To this green-house, so richly stored, too much praise can hardly be given. The curious person views it with delight, and the naturalist quits it with regret."

On Christmas day in 1803, in Prince George's County, Maryland, Rosalie Stier Calvert (1795-1821) wrote to her father who had returned to Europe, "I am also going to have a small greenhouse built where you planned it--at the wash-house. The cellar makes a very good orangerie." In another letter to her father in 3 years later, she mentioned that the cellar would no longer serve as the greenhouse, "We also have to build a small house, a smoke house, a sairy, and an orangerie."

Gilbert Stuart (Early Americn artist, 1755-1828). Rosalie Stier Calvert (1778 -1821) in 1804

I can find only one other reference to an orangery or orangerie in early America beside those of Rosalie Stier Calvert, leaving me to suspect that the term orangery became popular in America in the 19th century when refering to greenhouses, old and new.

There are earlier references in England, where John Evelyn wrote in his diary on 4 July 1664, "The orangerie and aviarie handsome, and a very large plantation about it." Another reference appears in the 1705 London Gazette, "The Mansion-House, called Belsize, ...with...a fine Orangarie, is to Lett."

In America in 1790, Thomas Lee Shippen, describing Stratford Hall in Virginia, to his father reported, "It was with great difficulty that my Uncles, who accompanied me, could persuade me to leave the hall to look at the gardens, vineyards, orangeries and lawns which surround the house."

By the time Englishman John Claudius Loudon (1783-1843) wrote his 1822 Encyclopedia of Gardening, the orangery had fallen out of favor. He wrote, "The orangery is the green-house of the last century, the object of which was to preserve large plants of exotic evergreens during winter, such as the orange tribe, myrtles, sweet bays, pomegranates, and a few others. Geraniums, heaths, fuchsias, and other delicate plants requiring much light, were then unknown. The orangery was generally placed near to or adjoining the house, and its elevation corresponded in architectural design with that of the mansion. From this last circumstance has arisen a prejudice highly unfavorable to the culture of ornamental exotcis, namely, that every plant-habitation attached to a mansion should be an architectural object, and consist of windows between stone piers or columns, with a regular cornice and entablature. By this mode of design, these buildings are rendered so gloomy as never to present a vigorous vegetation, and vivid glowing colors within ; and as they are thus unfit for the purpose for which they are intended, it does not appear to us...that they can possibly be in good taste."

In Maryland, Rosalie Calvert grew plants in pots that could be brought outside in warm weather or ornament the interior of Riversdale house in winter. In 1803, she wrote, “I have arranged all the orange trees and geraniums in pots along the north wall of the house, where they make a very pretty effect, and the geraniums, being shaded, bear many more blossoms and are growing well.”

By 1809, she had added several more types of potted plants, and wrote that they were “a marvelous source of entertainment for me—geraniums, heliotropes, jasmines, China rose bushes, etc. I don’t have any aloes or any of those other plants whose only recommendation is their rarity and which lack beauty.” Heliotropes, she wrote, would be transplanted “outdoors in the summertime with the geraniums, jasmine, rose bushes, etc.”  While we do not have a painting of Rosalie Calvert's indoor parlor plant arrangement, we do have this painting from Connecticut in 1816,

George Freeman (Connecticut artist, 1787-1837) Widow Elizabeth Fenimor Cooper 1816

Rosalie Calvert's orangerie never materialized. Instead, she used a central room of the house, her “grand salon,” with three large south-facing triple-hung windows, as her conservatory. She bragged to her father in 1813 about “my lemon trees. I have four superb specimens which in winter we place in the four corners of the salon, where they make a lovely effect. Last November one of them produced 87 large lemons.”

American diplomat David Bailie Warden visited Riversdale and described Rosalie's salon, "The hall is ornamented with lemon-trees, geraniums, polianthusses, heliptropes, and other plants, which in the summer evenings, invite the humming-birds to taste of their sweetness; and afterwards struggling to escape, they fly incessantly backwards and forwards near the ceiling, until from fatigue they perch on a stick or rod, when they are easily taken by the hand."

Another nurseryman living in Philadelphia was also promoting plants and pleasure gardens. In 1806, Irish American horticulturalist, seedsman, & writer Bernard M'Mahon (1775-1816), whose book would be read by gardeners in America for the next 50 years, explained the difference between the greenhouse and a conservatory,

"A Green house is a garden building fronted with glass, serving as a winter residence, for tender plants from the warmer parts of the world, which require no more artificial heat than what is barely sufficient to keep off the front...A greenhouse should generally stand in a pleasure ground and if possible, upon a somewhat elevated and dry spot fronting the south...the building ought to be of brick or stone, having the front almost wholly of glassowrk, ranging lengthwise east to west, and constructed upon an ornamental plan...

"The Greenhouse and Conservatory have been generally considered as synonimous; their essential difference is this: in the greenhouse, the trees and plants are either in tubs or pots, and are planted on stands or stages during the winter, till they are removed into some suitable situation abroad in summer.

"In the conservatory, the ground plan is laid out in beds and borders, made up of the best compositions of soils that can be procured, three or four inches deep. In these the trees or plants, taken out of their tubs or pots are regularly planted, in the same manner as the plants in the open air.

"This house is roofed, as well as fronted with glass-work, and instead of taking out the plants in summer, as in the Greenhouse, the whole of the glass roof is taken off, and the plants are exposed to open air."

Charles Peale Polk (1767-1822), Thomas Jefferson (1743-1826).

Thomas Jefferson, who was always experimenting and adding onto his property, was interested in a greenhouse as well. On August 2, 1807, from Albemarle County, Virginia, even Thomas Jefferson (1743-1826) received a letter listing sizes of glass he would need for a "green house."

1799 Artist Lambert ? Bouche. Ann Ogle (Mrs. John Tayloe III) and daughters Rebecca and Henrietta.

The Minute Book of John Tayloe III (1770-1828) noted on August 2, 1812 at his country seat Mount Airy in Richmond County, Virginia, "Gardeners attending to the Greenhouse at Mt. Airy." Tayloe's city residence was Octogon House in Washinton D. C.

Wye House (18th-century greenhouse with hot air duct system, still owned by descendants of Edward Lloyd) Copperville, Talbot County, Maryland. Photo by Janet Blyberg.

By the early 19th century in the new republic, men & womenemen were building greenhouses, conservatories, orangeries, hot houses, pineries, and stove houses to grow tender plants for their food value and to impress their neighbors. Some even had their portraits painted holding their favorite plants.

 1801 Rembrant Peale (1778-1860) Rubens Peale with Geranium

Portrait of 18C American Woman

1750s John Wollaston 1733-1767 Anne Carter Harrison Randolph (c. 1724-after 1793). John Wollaston VAHisSoc

Anne was the daughter of Benjamin Harrison of Berkeley Plantation (died July 12, 1745) and Ann Carter (Daughter of Robert “King” Carter).  Anne married William Randolph III son of William Randolph II & Elizabeth Peyton (Beverly) Randolph of Turkey Island, & had children William Beverly Randolph, Peyton Randolph, Anne (Randolph) Harrison, Elizabeth (Randolph) Grymes, Lucy (Randolph) Burwell and Peter Randolph. Their home Wilton was constructed for William Randolph III and Anne Randolph c. 1753. Wilton was originally the manor house on a 2,000-acre tobacco plantation located on the north bank of the James River several miles east of the city of Richmond. Between 1747 and 1759, William III acquired more than a dozen contiguous tracts of land. About 1753, Randolph completed construction of large Georgian manor house overlooking the river, which he named "Wilton."

Birth Control & Condoms in 18C-19C America

Birth control has existed at least since the Egyptian era, when people created their own barrier methods or suppository mixtures made of natural elements like honey or seaweed.  It is known that around 1000 BC the ancient Egyptians also used a linen sheath for protection against disease.  From 100 - 200 AD, the earliest evidence of condom use in Europe comes from scenes in cave paintings at Combarelles in France.

The 1st well-documented outbreak of what is now known as syphilis occurred in 1494, among French troops, and the syphilis epidemic spread across Europe. In 16C Italy, Gabriele Falloppio authored an early description of condom use. De Morbo Gallico ("The French Disease," referring to syphilis) was published in 1564. In this tract, he recommended use of a device he claimed to have invented: linen sheaths soaked in a chemical solution and allowed to dry before use. These were the first spermicides on condoms.  The cloths he described were sized to cover the glans of the penis, & were held on with a ribbon. Having been found useful for prevention of infection, it was only later that the usefulness of the condom for the prevention of pregnancy was recognised.

The word "condom" appeared in a 1706 English poem by J. Hamilton. By 1717, it was being touted as "The Condum being the best, if not only Preservative our Libertines have found at present." against syphilis.  In the 18C, condoms made out of animal intestines began to be available.  Slaughterhouses discarded an abundance of animal organs, butchers made extra money by repurposing intestines as preventive sheaths, making them the first widely sold contraceptive product. Since the livestock industry was much larger in Europe, most of these “skins,” as they were called, had to be imported to the British America colonies from England or France.

In a 1728 English book called Cupid's Metamorphoses, stated that "Happy the Man, who in his Pocket keeps, Whether with Green or Scarlet Ribband bound, A well made Condom."   By 1744, the advice in a book called My Secret Life X was "let not the Joy she proffers be Essay'd, Without the well-trye'd Cundum's friendly Aid."  However, they were quite expensive and the unfortunate result was that they were often reused. This type of condom was described at the time as "an armour against pleasure, and a cobweb against infection."  In the 2nd half of the 1700's, a trade in handmade condoms thrived in London and some shops where producing handbills & advertisements of condoms.  Long before the advent of the birth control pill, these condoms became the most effective, affordable, &  accessible form of contraception.

Condom production increased in America after 1839, when Charles Goodyear’s method of rubber vulcanization kick-started modern latex technologies in the United States. By 1870, condoms were available through almost any outlet you can imagine–drug suppliers, doctors, pharmacies, dry-goods retailers &  mail-order houses. Sexual products were openly sold &  distributed during much of the 19th century. Then in 1873, Congress passed the Comstock Act, which paralyzed the growing industry; Comstock made it illegal to send any “article of an immoral nature, or any drug or medicine, or any article whatever for the prevention of conception” through the mail.

Jim Edmonson, chief curator at the Dittrick Medical History Center, explains that the law was passed primarily because of a vicious campaign by its namesake, Anthony Comstock. “He was a do-gooder, a reformer, &  a religious-minded person,” says Edmonson. “Comstock had been to the Civil War, &  was outraged by the sexual excess of soldiers–large numbers of men away from home &  church–and the women who made their trade with these soldiers. Comstock felt that condoms &  any other forms of contraception were just a license to sexual excess.”

Ostensibly designed to prevent the sale of obscene literature &  pornography, the Comstock Act effectively made any form of contraception illegal in the United States, punishable as a misdemeanor with a six-month minimum prison sentence. “So we had a national law criminalizing contraception,” says Edmonson.

Comstock’s crusade was aimed at commercialized vice, visible in the red-light districts, erotic paraphernalia, &  birth-control products easily accessed in cities like New York during the 1860s. Fearing the widespread corruption of young uneducated minds, Comstock particularly sought to reform salacious newspaper advertising &  the illicit mail-order marketplace it supported.

In a time before chain stores &  online shopping, mail-order catalogs were all the rage, allowing millions of folks scattered across the countryside to purchase items made in urban areas, like condoms. Though the Comstock Act added to pre-existing regulation of “obscene” mail, it effectively closed certain loopholes &  incorporated almost any product you can imagine. Contraceptives were one of the new additions.

Opposition to condoms did not only come from moralists.  By the late 19C the feminist movement in both Europe & America was decidedly anti-condom. Feminists wanted birth control to be exclusively in the hands of women, & disapproved of male-controlled methods such as the condom.

As a result, condoms went underground. In her book Devices and Desires, Andrea Tone observes that instead of ceasing production, “purveyors disguised their products through creative relabeling.” Tone points out that despite the legal issues, “Classified ads published in the medical, rubber, &  toilet goods sections of dailies &  weeklies indicate a flourishing contraceptive trade in post-1873 America. The hitch was that contraceptives were rarely advertised openly as preventives.” Instead condoms were sold as sheaths, skins, shields, capotes, &  “rubber goods” for “gents.”

Though Comstock pursued those on both the manufacturing &  distribution ends of the contraceptive trade, smart entrepreneurs realized they were safe if the court had no clear evidence of their intention to prevent pregnancy. Although the transmission of venereal disease was not completely understood, germ theory was beginning to take root in the scientific community, so emphasizing this other medical use for birth-control products gave the industry good cover. Tip-toeing around the topic of contraception, ads relied on words like “protection,” “security,” &  “safety,” phrases which Andrea Tone calls “legal euphemisms.”

Despite social and legal opposition, at the end of the 19C the condom was the Western world's most popular birth control method. Two surveys conducted in New York in 1890 & 1900 found that 45% of the women surveyed were having their partners use condoms to prevent pregnancy.

See 

The Covert History of the American Condom 
By Hunter Oatman-Stanford — August 16th, 2012 in Collectors Weekly

Portrait of 18C American Woman

1796 Ralph Earl (1751-1801)  Mrs. Sherman Boardman (Sarah Bostwick) New Milford Hist Soc

Sarah Bostwick Boardman (1730–1818) and her husband Deacon Sherman Boardman (1728–1814) lived in New Milford in Connecticut, and had four children.  Her husband was the first minister of the Congregational Church, & was also a prosperous farmer, well educated and well versed in local politics – he was 21 times elected as a member of the General Assembly of Connecticut – and was familiar with civil and military concerns of the town. The Boardman family were the town's founding family, and lived on a "substantial farm" on the Housatonic River.

Young Nantucket woman paints copies of British prints of The Four Seasons 1797

 Phebe Folger Coleman (1771-1857) Spring

 Phebe Folger Coleman (1771-1857) Summer

Phebe Folger Coleman (1771-1857) Fall

Phebe Folger Coleman (1771-1857) Winter

Phebe Folger Coleman (1771-1857) Un receuil :containing painting, penmanship, algebra and pieces selected from various authors in prose and verse, with a few pieces in French with their translation by Phebe  of Nantucket : manuscript, c 1797. MS Typ 245. Houghton Library, Harvard University, Cambridge, Mass.

Phebe Folger (1771-1857) was a Nantucket commonplace book author, watercolorist, poet, needlework instructor, & creator of the well-known “Nantucket sampler” style. She was born in Nantucket, Massachusetts, on November 10, 1771 to Walter Folger (1735-1826) & his wife Elizabeth Starbuck (1738-1821).  She married Samuel Coleman (1771-1825) in Nantucket at the age of 27 on December 6, 1798.  They had 2 daughters who lived to adulthood, & 3 additional daughters who died as children.

Her husband, Samuel Coleman, worked at sea.  She wrote him this letter during the 10th year of their marriage. Nantucket 9th mo. 19th 1808.  Dear Husband,  "I have felt a little guilty that I have deferred so long to write: but I had nothing worth communicating, nothing but what thou might reasonably suppose, that is, that I am very lonesome. Why should so much of our time be spent apart, why do we refuse the happiness that is within our reach? Is the acquisition of wealth an adequate compensation for the tedious hours of absence? To me it is not. The enjoyment of riches alone could give no satisfaction to me. In company I am not happy, I feel as if a part of my self was gone. Thy absence grows more insupportable than it used to be. I want for nothing but thy company: but there is nothing but what I could do better without..."

They moved near the Hudson River in Hudson City, Columbia County, New York, where they operated a grist mill.  Phebe continued to run the mill after her husband's death in 1825. Sometime after 1850, Phebe moved to Fairhaven, Massachusetts, to live with her daughter Matilda (1812-1891) & her husband John Milton Howland (1810-1902).  Phebe died at the age of 87 in Fairhaven.

Portrait of 18C American Woman

1750 Joseph Badger 1708-1765 Mrs. William Foye Elizabeth Campbell MFA

Elizabeth Campbell was born in 1700 to John Campbell & his wife in Boston, Massachusetts. Elizabeth married William Foy in Boston, Massachusetts, on April 5, 1716, when she was 16 years old.  William Foye was born in 1698, the son of Capt. William Foye.  They had 3 children during their marriage. He died on March 21, 1759, in Boston, Massachusetts, at the age of 61.

In Business - Catharine Littlefield 1755-1814 m Gen Nathanael Greene & helped Eli Whitney change the economy of the South

James Frothingham (American artist, 1786–1864) Catharine Littlefield Greene Miller

Catherine “Caty” Littlefield was born in New Shoreham, R.I., on Block Island.  The 3rd child of 5, she was the 1st daughter of John & Phebe (Ray) Littlefield.  Catharine Littlefield was born off the coast of Rhode Island on Block Island, which her family had helped settle in the 1660s. Her father, John Littlefield represented the town in the colonial assembly from 1747 to the Revolution.  Her mother, Phebe Ray, was a descendant of the earliest settlers of Block Island.

Caty's mother died, when she was 10 years old; & she was sent to live with an aunt & uncle, Catharine Ray & William Greene, in East Greenwich, Rhode Island.  Her aunt, Catharine (Ray) Greene, was a close friend of Benjamin Franklin & corresponded with him for years.  Her uncle William Greene was a leader of the Whig Party & governor of Rhode Island.  Benjamin Franklin was a regular visitor at the Greene house, while Caty was growing up.  Another frequent caller was Nathanael Greene, a successful merchant who was a distant cousin of her Uncle William's. Nathanael, the son of Rhode Island Quakers, who was 14 years older than she. The two began a courtship in 1772.

Charles Willson Peale (American artist, 1741-1827) Nathanael Greene (1742-1786) 1783

At William & Catharine Greene’s house in Warwick that Kitty Littlefield on July 20, 1774, was married to Nathanael Greene of Coventry, R.I.  Nathanael Greene, brought up as a pacifist Quaker but turned to military concerns by the threats to his country’s liberty, had left his father’s forge; & in 1774, was helping to organize the Kentish Guards, a volunteer military company.  Catharine's new husband was selected by the Rhode Island Assembly as brigadier general, in charge of Rhode Island's 3 Continental regiments. During the war young Caty was not content to sit at home awaiting word of her husband. Instead, she visited him at his headquarters & joined him at his various encampments, where she witnessed many battles firsthand.

Catharine came to the notice of Washington & his troops at Valley Forge in the grim winter of 1777-78.  She had followed her husband, soon to become quartermaster general, to the Schuylkill headquarters to sharing the hardships of those bitter months with the men upon whom the success of the Revolution depended.  She was with her husband again the following winter at Morristown.  “We had a little dance at my quarters,” wrote General Greene, “His Excellency & Mrs. Greene danced upwards of three hours without once sitting down.”  Catherine’s gallantry of spirit won Washington’s grateful admiration, although some gossiped about her association with mostly men at these encampments. Catharine Littlefield Greene stood out among Revolutionary War military wives, engaging in political discourse, maintaining friendships with men & bearing her children at the same time.

Three of their 5 Greene children were born during those years-Martha Washington in 1777, Cornelia Lott in 1778, & Nathanael Ray in 1780.  George Washington Greene, the oldest, was 8, when peace came in 1783; Louisa Catherine, the youngest, was born the following winter.  Greene's presence at her husband's encampments endeared her to the troops & to the other military leaders. George & Martha Washington became friends & supporters of Greene. The trips were made more challenging, when she began to have children. By 1779, she had three—George, Martha, & Cornelia—& was expecting a fourth. She was looking forward to joining her husband again; when word arrived, that he had been appointed commander of Washington's southern forces. It was not until 1781, that she was able to head to Charleston, South Carolina, to join him. By then their 4th child, Nathanael Ray, had arrived.

When the war finally came to an end & the family was reunited, Caty looked forward to having Nathanael there to share in the responsibility of raising the children & handling family business affairs. His presence at home "brought a peace of mind unknown to her since the conflict began." She was eager to let Nathanael take charge & to settle herself into the life of a respected, well-to-do gentleman's wife.

Though Nathanael was not required to be of further service to his country, his involvement in the war continued to affect their lives. During his Revolutionary command in the south, he faced very harsh conditions. In order to clothe his soldiers during the winter, he had to personally guarantee thousands of dollars to Charleston merchants. He later discovered that the speculator, through whom he had dealt, was fraudulent. At the end of the war, the merchants began pressing him for payment on the notes & judgments began coming down from South Carolina courts. He was without sufficient funds & heavily in debt.

 In recognition of General Greene’s war services, Georgia deeded him a sequestered loyalist estate that included Mulberry Grove plantation on he Savannah River.  Here he hoped to make a living by cultivating rice & pay off their debts by selling their other lands, when real estate markets proved favorable. This decision was particularly hard on Catharine. She had lived her whole life in the north. She would be leaving behind many friends & what was left of her family on Block Island.  There the family settled in the autumn of 1785, while the 43-year-old Nathanael undertook to restore the long-neglected land to productivity.  He would die only 9 months later.

When her husband died of “severe sunstroke” in June 1786, the widow Greene was left alone to raise their 5 children & oversee the family plantation. Catharine decided to remain in Georgia. The plantation was still not a financial success; but by 1788, with the help of the new plantation manager, originally their children’s tutor Yale grad & Connecticut native, Phineas Miller 1764-1803, Mulberry Grove was thriving.

She also gratefully yielded to General Lafayette’s request to let him educate her eldest, son of his beloved comrade-in-arms, with his own son in France.  Retaining her place in the “court circles” of the new republic, Mrs. Greene returned every summer to the cooler air of Newport, a center of Rhode Island society.  Her cultivated manners & warmth hade Mulberry Grove a gathering place for all her southern neighbors, as well, who valued such status & social graces.

In 1791, the Greene family of Mulberry Grove entertained George Washington during his presidential tour of the South.  Soon after that visit, Catharine personally presented to the United States Congress a petition for indemnity to recover funds that Nathanael had paid to Charleston merchants. On April 27, 1792, President  Washington approved & signed an act that indemnified the Greene estate. In a happy letter to a friend, she wrote:

I can tell you my Dear friend that I am in good health & spirits & feel as saucy as you please-not only because I am independent, but because I have gained a complete triumph over some of my friends who did not wish me success-& others who doubted my judgement in managing the business & constantly tormented me to death to give up my obstinancy as it was called-they are now as mute as mice-Not a word dare they utter... O how sweet is revenge!

On her journey homeward from Newport in the fall of 1792, a traveling companion was Eli Whitney 1765-1825, newly graduated from Yale, whom tutor-turned-plantation-manager Phinaes Miller had secured as a tutor for a South Carolina family across the Savannah River. 

During Whitney’s youth, the tall, heavy-shouldered boy with large hands & a gentle manner was a blacksmith, a nail maker on a machine he made at home & at one time, he was the country's sole maker of ladies' hatpins.  In his early 20s, Whitney determined to attend Yale College; so unusual a step for anyone not preparing for either the law or theology, that his parents objected. He was 23, before he got away from home & 27, when he received his degree, almost middle-aged in the eyes of his classmates. Again the most serious drawback facing him was that no profession existed suited to a man of his talents.

Eli Whitney 1765-1825

When Whitney’s teaching plans collapsed, Mrs. Greene invited him to accompany her to her plantation & read law. In the meantime, he could make himself useful in one way or another helping the tutor-turned-plantation-manager, Phineas Miller.  Miller was also a Yale alumnus, about a year older than Whitney. Whitney accepted the offer.

Being from New England, Whitney was unfamiliar with cotton farming, but Greene quickly brought him up to speed. She explained the difficulties of raising green-seed cotton.  Struck by his ingenuity in designing & fashioning a new tambour frame for her embroidery, Catherine Greene persuaded him to turn his talents to devising a machine that could rapidly strip the tenacious seeds from short-staple cotton & thus make it a profitable crop to raise. 

Some believe that she not only suggested the idea of the cotton gin, but she drew the rudimentary design, made corrections for improvement, & later financed the patent & fabrication. In Woman as Inventor, written in 1883, Matilda Joslyn Gage asserted that it was Caty & not Eli Whitney who should be credited with the invention.

Gage wrote that the cotton gin “owes its origin to a woman, Catherine Littlefield Green.” Gage goes on to describe Whitney as familiar enough with “the use of tools” to be able to build the machine. Nonetheless, the young man’s first contraption featured inefficient wooden teeth & he nearly quit, but the widow Greene’s suggestion to substitute wire for wood proved successful.

At the urging of Catharine Green & Phineas Miller, Whitney watched the cotton cleaning process of the slaves & studied their hand movements. During the slow process, one hand held the seed while the other hand teased out the short strands of lint. The machine he designed simply duplicated this.  To take the place of a hand holding the seed, Whitney made a sort of sieve of wires stretched lengthwise. More time was consumed in making the wire than stringing it, because the proper kind of wire was nonexistent.

To do the work of human fingers, which pulled out the lint, Whitney had a drum rotate past the sieve, almost touching it. On the surface of the drum, fine, hook-shaped wires projected which caught at the lint from the seed. The restraining wires of the sieve held the seeds back, while the lint was pulled away. A rotating brush, which turned 4 times as fast as the hook-covered drum cleaned the lint off the hooks. Originally Whitney planned to use small circular saws instead of the hooks, but the saws were unobtainable. That was all there was to Whitney's cotton gin; & it never became any more complicated.

Whitney worked developing his cotton gin for 6 months in a basement room of the plantation house.  In that interval Caty’s older son, returned from France, drowned in the Savannah River. 

When Whitney announced in April 1793, that he had completed a working model of an engine, or “gin”, his hostess called the attention of influential planters in the neighborhood to the potentialities of the new machine.  With no more than the promise that Whitney would patent the machine and make a few more, the men who had witnessed the demonstration immediately ordered whole fields to be planted with green seed cotton.

Eli Whitney's Cotton Gin

Word got around the district so rapidly, that Whitney's workshop was broken into & his machine examined. Within a few weeks, more cotton was planted in the area than Whitney could possible have ginned in a year of making new machines. Before he had a chance to complete his patent model, or to secure protection, the prematurely planted cotton came to growth. With huge harvests pressing on them, the planters had no time for the fine points of law or ethics. Whitney's machine was pirated without a qualm.

Descriptions of the main features of the gin leaked out; as it was simple to build, copies began to appear in Georgia, almost before Whitney secured his patent in March 1794.  A newly formed partnership with tutor-turned-plantation-manager Phineas Miller, could manufacture few more than half a dozen gins.  A prolonged struggle to establish the partners’ rights early threatened the new firm with bankruptcy. 

Whitney’s partnership with Miller ran into problems immediately. The agreement was that Whitney was to go north to New Haven, secure his patent, & begin manufacturing machines, while Miller was to remain in the South & see that the machines were placed. Having no precedent of royalty arrangement to go on, the partners' initial plan was that no machine was to be sold, but simply installed for a percentage of the profit earned. Since they had no idea that cotton planting would take place in epidemic proportions, they did not know that they were asking for an agreement that would have earned them millions of dollars a year. It had been Miller's idea to take 1 pound of every 3 of cotton, & the planters were furious. Meanwhile, cotton, one of the easiest growing crops, was coming up out of the ground engulfing everything around.

Catherine Greene in 1795, enabled the venture to continue by committing her entire resources to the effort.  According to The National Archives, Greene’s “support, both moral & financial were critical” to Whitney’s efforts. When Miller began charging farmers a fee to use cotton gins, & disgruntled farmers started building their own.

By the time Whitney & Miller were willing to settle for outright sale or even a modest royalty on every machine made by someone else, the amount of money due them was astronomical. He & Miller were now deeply in debt & their only recourse was to go to court; but every court they entered was in cotton country. At length in 1801, Miller & Whitney were willing to settle for outright grants from cotton-growing states in return for which the cotton gin would be public property within the boundaries.   By 1807, Whitney had re-established title to his invention, but his patent expired in that year, ending any real hope of financial return.  He was penniless, & his patent worthless.  Whitney was 39 years old, & most of the past 10 years had been wasted either in courtrooms or in traveling from one court to another. He returned north, turning his back on cotton, the cotton gin, & the South forever.

As for why Caty Greene did not attempt to patent the cotton gin herself, Gage suggested that doing so “would have exposed her to the ridicule” of friends & “a loss of position in society,” which disapproved of women’s involvement in any "outside industry." Perhaps she didn’t receive credit for the invention, because women were not allowed to hold patents. Regardless, neither Whitney nor Caty profited from the invention, after Congress refused to renew the patent, & it was mass produced.

An unforeseen by-product of Whitney's invention, a labor-saving device, was to help preserve the institution of slavery in the South by making cotton production highly profitable. Exports of cotton from the U.S. skyrocketed exponentially after the introduction of the cotton gin. Between 1820 & 1860, cotton represented over half the value of U.S. exports. Prior to the invention of the cotton gin, slavery was in decline. The profitably of crops grown with slave labor, such as rice, tobacco, indigo & cotton was steadily decreasing. Some slaveholders began freeing their slaves in response. By effortlessly separating the seeds from the cotton fibers, the cotton gin removed the main obstacle to producing cleaned cotton. As the price of cotton decreased, the demand for cotton soared; so too did the demand for more land & more slaves to grow & pick the cotton. The number of slave states increased from s6 in 1790 to 15 in 1860.  By 1860, 1 in 3 Southerners was a slave. The labor-saving device Whitney created effectively rejuvenated the institution of slavery in the South & helped split American society.

Catherine married Phineas Miller on June 13, 1796 in Philadelphia's First Presbyterian Church. The President & Mrs. Washington served as witnesses to the wedding.  Despite the couple’s best efforts, by 1798, Mulberry Grove fell upon hard times.

Catharine, in financing the cotton gin firm of Whitney & Miller, had lost a great deal of money. Caty was forced to sell the plantation along with many of Mulberry Grove's slaves, moving her family to Cumberland Island. There she & Phineas established a new home on land that had been given to Nathanael for his Revolutionary War service. The plantation, located near the southern end of the island & called "Dungeness," thrived. They held a total of 210 slaves to work the plantation. Miller succumbed to a fever & died in 1803, worn out at 39. Catherine Greene Miller died of fever at “Dungeness” in 1814, at 59, & she is buried there.