Sunday, February 16, 2020

1785 Portrait of an American Family

1785 Robert Edge Pine (American artist, 1720-30-1788). Alexander Contee Hanson, Sr. and Family.

Family portraits are rare in the early 18C British American colonies, perhaps because they were expensive & usually so large, that they required a sizable public parlor for display. Most 18C colonial American houses were not spacious. Family portraits are also much more complicated for the artist, and there were few artists available in colonial America early in the 18C. But the incidence of family portraits grew, as the number of painters & spaces in homes also grew.

Some gentlemen had family portraits painted as a sign of wealth & as a factor in gaining respect & power in the new world. The painting announced that they were important, entitled to be the natural leader in the new society. Other family paintings commemorated a specific event. Most were not painted to be tucked away for private family contemplation, but to act as a public icon or an emblematic memory for an audience larger than the immediate family. The composition of family paintings was changing throughout the 18C as well.

The concept of family was evolving as emerging Enlightenment ideas began to impact everyday domestic life & family values in colonial America. Slowly throughout the century, the strict patriarchal family concept was beginning to change. English philosopher John Locke (1632-1704) implied that women should have greater authority in the family & the home. In portraits, artists began to display the woman on nearly the same level as the husband.

Artists began to feel that they could portray married couples as congenial companions. Painters began to portray men participating more in the rearing of their children, they were no longer just expected to be distant strict disciplinarians. Americans were beginning to believe that children needed to be loved & to play. The individual was also becoming more important in 18th-century America. Artists often used props to signify something about the talents, skills, & identities of individuals within these families. In one way or another, each of the following portraits reflects changing patriarchal values, gender relations, attitudes towards women & children, and the growing democratization of American society. But women did not receive the right to vote in the United States until 1920.

Saturday, February 15, 2020

Late 18th-Century Landscapes of South Carolina

South Carolina artist Charles Fraser (1782-1860) painted some watercolors of the landscapes he saw around him in the late 18th and early 19th centuries. These are from the Carolina Art Association Gibbes Museum of Art, Charleston, South Carolina.
The South View of Fort Mechanic Charleston, July 4, 1796.

South West View of Newport.

Sheldon.


Near Charleston, June, 1805.

Capt. Frederick Fraser's Place, Prince William's Parish.

Another View of Richmond.

A View on Mepkin.

A View Near Charleston , 1801, Where St. Paul's Church Now Stands, Ratcliffe Lands.

A View Mr. Lindsay's From South Bay, May 10th.

Friday, February 14, 2020

1787 Portrait of an American Family

1787 Henry Benbridge (American artist, 1743-1812). The Hartley Family.

Family portraits are rare in the early 18C British American colonies, perhaps because they were expensive & usually so large, that they required a sizable public parlor for display. Most 18C colonial American houses were not spacious. Family portraits are also much more complicated for the artist, and there were few artists available in colonial America early in the 18C. But the incidence of family portraits grew, as the number of painters & spaces in homes also grew.

Some gentlemen had family portraits painted as a sign of wealth & as a factor in gaining respect & power in the new world. The painting announced that they were important, entitled to be the natural leader in the new society. Other family paintings commemorated a specific event. Most were not painted to be tucked away for private family contemplation, but to act as a public icon or an emblematic memory for an audience larger than the immediate family. The composition of family paintings was changing throughout the 18C as well.

The concept of family was evolving as emerging Enlightenment ideas began to impact everyday domestic life & family values in colonial America. Slowly throughout the century, the strict patriarchal family concept was beginning to change. English philosopher John Locke (1632-1704) implied that women should have greater authority in the family & the home. In portraits, artists began to display the woman on nearly the same level as the husband.

Artists began to feel that they could portray married couples as congenial companions. Painters began to portray men participating more in the rearing of their children, they were no longer just expected to be distant strict disciplinarians. Americans were beginning to believe that children needed to be loved & to play. The individual was also becoming more important in 18th-century America. Artists often used props to signify something about the talents, skills, & identities of individuals within these families. In one way or another, each of the following portraits reflects changing patriarchal values, gender relations, attitudes towards women & children, and the growing democratization of American society. But women did not receive the right to vote in the United States until 1920.

Wednesday, February 12, 2020

1772 Portrait of an American Family

1772 Charles Willson Peale (American artist, 1741-1827).   John and Elizabeth Lloyd Cadwalader and daughter Anne

Family portraits are rare in the early 18C British American colonies, perhaps because they were expensive & usually so large, that they required a sizable public parlor for display. Most 18C colonial American houses were not spacious. Family portraits are also much more complicated for the artist, and there were few artists available in colonial America early in the 18C. But the incidence of family portraits grew, as the number of painters & spaces in homes also grew.

Some gentlemen had family portraits painted as a sign of wealth & as a factor in gaining respect & power in the new world. The painting announced that they were important, entitled to be the natural leader in the new society. Other family paintings commemorated a specific event. Most were not painted to be tucked away for private family contemplation, but to act as a public icon or an emblematic memory for an audience larger than the immediate family. The composition of family paintings was changing throughout the 18C as well.

The concept of family was evolving as emerging Enlightenment ideas began to impact everyday domestic life & family values in colonial America. Slowly throughout the century, the strict patriarchal family concept was beginning to change. English philosopher John Locke (1632-1704) implied that women should have greater authority in the family & the home. In portraits, artists began to display the woman on nearly the same level as the husband.

Artists began to feel that they could portray married couples as congenial companions. Painters began to portray men participating more in the rearing of their children, they were no longer just expected to be distant strict disciplinarians. Americans were beginning to believe that children needed to be loved & to play. The individual was also becoming more important in 18th-century America. Artists often used props to signify something about the talents, skills, & identities of individuals within these families. In one way or another, each of the following portraits reflects changing patriarchal values, gender relations, attitudes towards women & children, and the growing democratization of American society. But women did not receive the right to vote in the United States until 1920.

Monday, February 10, 2020

1789 Portrait of an American Family

1789 Charles Willson Peale (American artist, 1741-1827). Robert Goldsborough & Family.

Family portraits are rare in the early 18C British American colonies, perhaps because they were expensive & usually so large, that they required a sizable public parlor for display. Most 18C colonial American houses were not spacious. Family portraits are also much more complicated for the artist, and there were few artists available in colonial America early in the 18C. But the incidence of family portraits grew, as the number of painters & spaces in homes also grew.

Some gentlemen had family portraits painted as a sign of wealth & as a factor in gaining respect & power in the new world. The painting announced that they were important, entitled to be the natural leader in the new society. Other family paintings commemorated a specific event. Most were not painted to be tucked away for private family contemplation, but to act as a public icon or an emblematic memory for an audience larger than the immediate family. The composition of family paintings was changing throughout the 18C as well.

The concept of family was evolving as emerging Enlightenment ideas began to impact everyday domestic life & family values in colonial America. Slowly throughout the century, the strict patriarchal family concept was beginning to change. English philosopher John Locke (1632-1704) implied that women should have greater authority in the family & the home. In portraits, artists began to display the woman on nearly the same level as the husband.

Artists began to feel that they could portray married couples as congenial companions. Painters began to portray men participating more in the rearing of their children, they were no longer just expected to be distant strict disciplinarians. Americans were beginning to believe that children needed to be loved & to play. The individual was also becoming more important in 18th-century America. Artists often used props to signify something about the talents, skills, & identities of individuals within these families. In one way or another, each of the following portraits reflects changing patriarchal values, gender relations, attitudes towards women & children, and the growing democratization of American society. But women did not receive the right to vote in the United States until 1920.